Over the weekend I sat at a lecture by a well-respected Russian writer of fantasy. He said many useful and wonderful things about writing: nothing I didn’t know, exactly, but plenty I could do with hearing again. About fantasy and SF he said that if it’s good, it needs to be constantly surprising. Bad fantasy is based on recognition (ooh look, another elf!), good fantasy keeps you amazed.

Many people may disagree, but if he’s right, I may have just figured out why it’s so bloody hard to write good spanking fiction (or any erotica) set in a fantasy world.

I’m convinced that a good spanking story, if it is to appeal to your id, mustn’t be surprising. We have our kinky buttons. We like them pushed in a particular way, just so. There’s only so much room for maneuvre before a piece of erotica becomes too surprising, too creative, too vaguely connected with your particular brand of kink.

This isn’t to say spanking stories have to be boring: just that there shouldn’t be so much extraneous stuff that you get distracted from having a finger jabbed at your buttons.

Where good fantasy fiction must surprise and amaze, erotica must provide enough familiarity to still get you off.

When you try to mix them in together, well… Chances are, one side will suffer: either the fantasy element will be weak and cliche, or you’ll get so excited by the magicky gadgets that the spanking side of the story will limp along, as though it was put there as an afterthought.

One or the other will sound jarring. One or the other will seem extraneous. “Why did you put all this spanking into a good space opera, huh?” “Why did you mix in all this complicated geekery and spoil my spanking story?” Well, see, I really tried to make it work, but…

I’m still convinced you can do fantasy erotica well. I am, in fact, convinced that some of my own fantasy erotica is pretty good, you know? But it’s hard work. I’ve noticed before how hard it was to keep the balance. I guess, now I know why.

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